Last night I performed with the Linsdale singers for a one-off performance of Karl Jenkins’ Peacemakers. I was covering the 5-string fretless bass part, however due to my lack of a fretless 5-string bass, there was a guitar part which I played, alongside some critical parts on my fretted 4-string from the original bass part.
This was my first time performing with an orchestra and choir, and it was a really worthwhile experience that I hope to duplicate in the future. It was refreshing to play the bass and also have to work alongside the string bass in the orchestra but also nice to be doing more work on my classical guitar.
I think it went really well, and it was particularly nice playing to a full and appreciative audience.
Next up are Flashdance and Jesus Christ Superstar performances – lots to look forward to!
I’m currently playing on Sweet Charity for the Tring Festival Company at the Court Theatre in Tring.
The score requires me to play a Jazz semi acoustic, and a classical guitar since it’s largely made up of big band and flamenco style parts. It’s quite a challenging pad because a lot of is counted in two which makes reading it a bit tricky at times. There are some uptempo pieces in 3/4 too which are quite exciting!
I’m running my Gibson ES175 and my Manuel Raimundo classical through my AER compact sixty. I’ve got a touch of slap-back delay on the 175 for a 60’s vibe and that’s about it! It’s a nice, practical set up that sounds great and is really easy for the sound guys to work with. Lovely!
Last night I went to the O2 Arena in London to see Roger Waters perform the Wall. Around the time I booked the tickets (possibly a year ago!), I had heard that David Gilmour would be guesting with Roger on one of the nights. I was skeptical about this, since I’d heard various different stories about the indifference to putting Pink Floyd back together, and also a difficult relationship between the members of the band. However I went to the gig hopeful this may happen, but very quickly forgot about it when the concert started.
It was fantastic – kicking off with a big bang of red lights and pyrotechnics, shortly followed by an aeroplane flying into part of the wall that would gradually be built and completed over the course of the first half of the show! Amazing.
To my shame I wasn’t familiar with the material from the Wall from cover to cover, so there were only one or two tunes that I recognised (and thoroughly loved!), but I was entertained throughout by a fantastic stage show, and I really enjoyed all of the music that was new to me too. It must be said that Roger put on a superb show, and it was really refreshing to hear “Roger is happy for you to take photos, but please make sure the flash is switched off”.
I filmed a couple of the tunes that I knew, firstly Another Brick in the Wall Part 2, and then Comfortably Numb. At this point, the construction of the Wall was complete, with the band playing behind it! Roger was singing the first part of the verse and patrolling the area of stage in front of the wall, and then suddenly, a subtle, but beautiful voice could be heard emanating from an intense shaft of light from the top of the wall. The crowd went nuts. It was him! David!
I had managed to book tickets one row from the back of the tallest part of the Arena, but I was fairly central. Knowing this I took my binoculars and just watched Mr. Gilmour sing and play through them, open-mouthed. He was playing his black Fender Stratocaster with the maple neck – like his signature model that recently came out. On the video you can just see bright light where David is, but with my binoculars I could see him clearly playing his guitar and singing.
Here is the video. I’m very pleased with it – the sound is fantastic! You can also get a sense of the scale of the venue, and importantly, the wall itself. You can also get an idea of how they used it – the video projections were staggering, even from where I was.
Another band I’ve recently started working with is The Red Hot House Band. Based around Milton Keynes, the band is perfectly geared to keeping the party going all night long! There’s an emphasis on fluidity, and nothing is fixed, so if a song is working we may keep the chorus going, or add a solo in, or drop down in feel and build to a climax. It keeps us on our toes, and keeps audiences grooving!
Recently we’ve been having some promo video and photo shoots. The above photo is one of the new promo shots. Check out the video below for some more as well as audio of the band!
Today was quite an exciting day. I received the mixed versions of some recordings that I’d done with one of the function bands I work with. The band is called Floorfillers, and we play quite a few contemporary tunes, as well as Disco and Motown classics. For your delectation I’ve uploaded one of the tunes we did – Chaka Khan’s ‘Ain’t Nobody’. You can listen to it on my homepage, or here.
The recording process of this was quite interesting, since the drums were recorded in one take(!) in a studio in Milton Keynes, and then bass, keys and my guitar were recorded by their respective players in their own homes. After a few emails it all came together back in Milton Keynes where the vocals and BVs were laid down before mixing.
If you need a band for your party, look no further than Floorfillers!
I thought I’d take a little moment to mention one of the singers I have the privilege of working with. Pritee Hurnam is the female singer in Funkify, one of the main function bands I work in. There isn’t anyone else I’ve worked with who is as good as Pritee at getting a group of people to have a good time! I’ve seen static, near empty rooms transformed to heaving discos, and it’s all thanks to Pritee. She has a great knack of involving people in her performance, serenading a gent with ‘Somebody Else’s Guy’, encouraging them to sing ‘9 to 5’, and also copy dance moves to ‘Blame It On The Boogie’. But that’s all the practical stuff involved in being in a party band.
Not only can do she do all that better than anyone else I’ve come across, she’s also a blinding singer. She’s a true pro – I’ve seen the show go on despite her feeling really ill and flu-ed out, and she’s still done a great job! She’s one of the most consistent musicians I know, and directs her band with ease, and a thoughtfulness that shows her mind’s always on the ball. Further evidence of this is proven when she alters a set at a moments notice, depending on the mood of her audience.
She works really hard for the band, and is a cracking musician and performer. I hope you get the chance to see her to her thing soon!
Last night I went to an excellent jazz venue in Oxford called the Spin. it’s held every Thursday night at the Wheatsheaf in the centre of the city. It’s a bit tricky to find (down a narrow alley along one of the main roads in the centre), but well worth the search!
Last night saw the fantastic Snake Davis play alongside the house band. Snake is a brilliant saxophone and flute player – extremely emotive in his presentation of his playing, but also also captivating to watch. He has a great bag of vocabulary, and can shred as well as he can be sensitive.
Guitarist Pete Oxley was in the House band alongside regulars Mark and Raf, and together they produced the perfect platform for Snake to work his magic.
They played a wide variety of tunes including numbers penned by Hoagy Carmichael, King Curtis, Pat Metheny and also Oxley himself.
I can’t recommend the club enough, although you’ll need to book in advance if you want a seat! hope to see you down there soon!
