Playing on Annie, Hairspray and Legally Blonde

Over the last couple of months I have been fortunate enough to play guitar on a number of shows in Hertfordshire and Oxfordshire. This has been instrumental in keeping my sight-reading in fairly nimble shape, and has been a lot of fun!

Annie was at the end of March, and I used the Variax Acoustic to cover the banjo and steel string sounds which seemed to suit the vibe of the show pretty well. There’s a lot of chord work in this show, with limited single notes lines – but they’re pretty exposed when you get them! – and there’s a real big band-style to some of the playing. That was the approach I took, and it was great to play alongside some less familiar brass instruments than I’m used to!    
Hairspray took place at Wyllyotts Theatre in Potter’s Bar, and was a great play! I was covering both guitar parts, and the pad was organised in such a way that they ran concurrently rather than in separate books. This meant it was easy to compare both on the fly, and bring out what was most important at any given time.   

 This is a 60’s show, with smattering of tremolo and largely clean sounds, so I engaged my USA Deluxe Strat for this, and my Les Paul for the more jazzy-type numbers. It was definitely worth taking both as they complimented each other well and were perfect foils!    
I’m currently prepping for Legally Blonde, which runs next week at the New Theatre in Oxford. It’s a beautiful theatre, and the company is fantastic so I have high expectations of the product we’ll all be able to put together! 
   
 The music is very pop-based but with lots of variety with traditional Irish, rock, dub reggae and disco well represented too! There’s a lot of detail in the part and I’m really trying to bring everything out, and more, to make it as dynamic and interesting as possible. Come down and check it out! 

A New Era with the New Jersey Jukebox

This Saturday marked the start of a new project that I’ve been asked to be involved with, namely the New Jersey Jukebox, which is a tribute to the music of Frankie Valli and the Four Seasons.

It goes without saying that the songs are fantastic, and it is a privilege to be involved to perform them.

The band has several guises – the four singers with either backing tracks, four piece or seven piece bands – and the outfit is incredibly professional with personal mixers and in-ear monitoring and bespoke arrangements and tracks.

Signed to a production company, we will be touring major venues throughout the UK (and possibly beyond!), so keep an eye out for us, as this promises to be a brilliant show with wonderful music at it’s core!


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Sound of Music Dress Rehearsals

Today I have two dress rehearsals for the Sound of Music, and we’re half way through the first act of the first run. It’s pretty interesting as this is the first time I’ve played in a room separate from the pit, and with a headphone mix/video feed. It’s taken a little getting used to, but it’s starting to feel really good. It is a bit odd being in a different place to the rest of the orchestra, and there is a lot of creaking overhead from the performers moving about on stage. It all makes for a very interesting experience, but it does a good job of forcing you to concentrate really hard. One other benefit of being in this room is that there’s quite a lot more space than I’m used to! Real luxury!!

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Sound of Music rehearsals

At the moment I’m getting ready to start rehearsing with the Oxford Operatic Society for their upcoming production of The Sound Of Music. I’m currently running through the pad and making sure there isn’t anything too unexpected in there, and all seems to be plain sailing at the moment.

I’m using a Line6 Variax Acoustic guitar for this show since there are a few mandolin cues that I’ll be covering with the Mandola voice on the guitar. I’ll be playing everything up an octave too, so that should give me a reasonable interpretation of the mandolin sounds the MD is looking for. I’ll be using the Martin OOO voice for the rest of the show which is a nice and focused sound which cuts through nicely.

The Variax is a great instrument and is a real asset in these settings. This will be the first time I’ve used it on a show like this, but I’m already feeling the benefit of not having lug extra kit around, plus the tangling of cables with multiple instruments is always something to contend with. Thankfully I won’t have to worry about that, or any rapid changes to and from instruments. Just a turn of a dial for me!

The show runs at the New Theatre in Oxford from the 28th of May to the 1st of June, with a matinee on the Saturday. I’m looking forward to the show since this will be the first time I playing at the New Theatre, and it wasn’t so long ago I saw Ray LaMontagne and Zappa Plays Zappa there, so it’ll be nice to grace the some venue as those guys!

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