Playing on Annie, Hairspray and Legally Blonde

Over the last couple of months I have been fortunate enough to play guitar on a number of shows in Hertfordshire and Oxfordshire. This has been instrumental in keeping my sight-reading in fairly nimble shape, and has been a lot of fun!

Annie was at the end of March, and I used the Variax Acoustic to cover the banjo and steel string sounds which seemed to suit the vibe of the show pretty well. There’s a lot of chord work in this show, with limited single notes lines – but they’re pretty exposed when you get them! – and there’s a real big band-style to some of the playing. That was the approach I took, and it was great to play alongside some less familiar brass instruments than I’m used to!    
Hairspray took place at Wyllyotts Theatre in Potter’s Bar, and was a great play! I was covering both guitar parts, and the pad was organised in such a way that they ran concurrently rather than in separate books. This meant it was easy to compare both on the fly, and bring out what was most important at any given time.   

 This is a 60’s show, with smattering of tremolo and largely clean sounds, so I engaged my USA Deluxe Strat for this, and my Les Paul for the more jazzy-type numbers. It was definitely worth taking both as they complimented each other well and were perfect foils!    
I’m currently prepping for Legally Blonde, which runs next week at the New Theatre in Oxford. It’s a beautiful theatre, and the company is fantastic so I have high expectations of the product we’ll all be able to put together! 
   
 The music is very pop-based but with lots of variety with traditional Irish, rock, dub reggae and disco well represented too! There’s a lot of detail in the part and I’m really trying to bring everything out, and more, to make it as dynamic and interesting as possible. Come down and check it out! 

Sweet Charity with Abingdon Operatic Society

I’ve just come to the end of a run of Sweet Charity at the Amey Theatre with the Abingdon Operatic Society. This is the second time I’ve done the show, and I had a real blast doing it.

The music is really interesting, and in many ways quite unlike any other show that I’ve done. The pad is quite unhelpful, really, since it has some directions for the guitarist (such as ‘no amp’ or ‘all on highs’) which aren’t straightforward to interpret! Having said that there are a variety of different styles (big band and tango are the highlights for me) that you have to cover, as well as interesting time signature changes.

A lot of the show is in 2, so quite rapid for much of it, and this requires a good knowledge of lots of chord shapes in each area of the neck.

I mainly used my Les Paul and Raimundo classical for the run, and these guitars did a great job to cover the disciplines required. Playing the Raimundo with a Tango feel was great fun, and sounded pretty raunchy to my ears!

The theatre appeared to be packed every night which was exciting to see, and all appeared to enjoy the production.

It’s now time for me to concentrate my energies into a completely different show, as next week I’ll be playing in Avenue Q at the Court Theatre in Tring. The writing and instrumentation is very different to Charity, so it’s going to be good fun and a good challenge.
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Sound of Music rehearsals

At the moment I’m getting ready to start rehearsing with the Oxford Operatic Society for their upcoming production of The Sound Of Music. I’m currently running through the pad and making sure there isn’t anything too unexpected in there, and all seems to be plain sailing at the moment.

I’m using a Line6 Variax Acoustic guitar for this show since there are a few mandolin cues that I’ll be covering with the Mandola voice on the guitar. I’ll be playing everything up an octave too, so that should give me a reasonable interpretation of the mandolin sounds the MD is looking for. I’ll be using the Martin OOO voice for the rest of the show which is a nice and focused sound which cuts through nicely.

The Variax is a great instrument and is a real asset in these settings. This will be the first time I’ve used it on a show like this, but I’m already feeling the benefit of not having lug extra kit around, plus the tangling of cables with multiple instruments is always something to contend with. Thankfully I won’t have to worry about that, or any rapid changes to and from instruments. Just a turn of a dial for me!

The show runs at the New Theatre in Oxford from the 28th of May to the 1st of June, with a matinee on the Saturday. I’m looking forward to the show since this will be the first time I playing at the New Theatre, and it wasn’t so long ago I saw Ray LaMontagne and Zappa Plays Zappa there, so it’ll be nice to grace the some venue as those guys!

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